Once these tests have been carried out, it will be implemented in the telescope's Web page for its use. This will be carried out using Spyder software (Python), in which, in addition, numerous tests will be carried out to verify that the software works perfectly. Specifically two, one for the calibration of the spectrograph and another one in charge of the image processing and the extraction of its spectrum. For this task, a series of scripts will be performed. With this tool in operation, it will now be possible to extract a multitude of new parameters from the observations, providing this station with a more complete and versatile instrument with which to obtain more interesting scientific information. This makes it possible to obtain a large amount of data on the positioning and characterization of astronomical bodies. A robotic telescope such as the one located at BOOTES 2 has, among its many virtues, the ability to perform a multitude of observations with a very low reaction time. This thesis project arises from the need to put into operation the spectrograph (COLORES) of the station (BOOTES 2), located in La Mayora and belonging to the network of Burst Observer and Optical Transient Exploring System (BOOTES) telescopes. In a minority of sky regions, certain line designs appear universal, but this is not the norm: in the majority of sky regions, the line geometries are diverse. Our results show distinct types of line figures, and that many folk astronomies with oral traditions have widespread similarities in constellation design, which do not align with cultural ancestry. Finally, we measure the diversity (or entropy) index for the set of constellations drawn per sky region. We then form the network of constellations (as linked by their similarity), to study how similar cultures are by computing their assortativity (or homophily) over the network. First, an embedded map of constellations is learnt, to show clusters of line figures. We analyse 1802 line figures from 56 sky cultures spanning all continents, in terms of their network, spatial, and brightness features, and ask what associations exist between these visual features and culture type or sky region. In some sky cultures, constellations are represented as line (or connect-the-dot) figures, which are spatial networks drawn over the fixed background of stars. In traditional astronomies across the world, groups of stars in the night sky were linked into constellations-symbolic representations rich in meaning and with practical roles. 222 © 2021 EQUINOX PUBLISHING LTD an extended presentation of the open-source project Stellarium, which in the last few years has been enriched with capabilities for cultural astronomy research not found in similar, commercial alternatives. With this paper, we provide Georg Zotti et al. Cultural astronomers also value the possibilities they give of simulating the skies of past times or other cultures. Modern incarnations are immensely versatile tools, mostly targeted towards the community of amateur astronomers and for knowledge transfer in transdisciplinary research. However, in recent decades, "desktop planetarium programs" running on personal computers have gained wide attention. The immer-sive sky simulator of the twentieth century, the optomechanical planetarium, provided new ways for representing and teaching about the sky, but the high construction and running costs meant that they have not become common. For centuries, the rich nocturnal environment of the starry sky could be modelled only by analogue tools such as paper planispheres, atlases, globes and numerical tables.
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